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This will be a clearing-the-decks post. That’s what happens when things go silent for a couple of weeks. My bad. I’d say it won’t happen again, but … well, you know.

ANYWAY …

Last week brought the excellent news that 600 Hours of Edward, a book that I wrote more than two years ago and one that continues to find new fans all the time (for which I’m very thankful), has been selected for the One Book Billings program this spring. The book will be talked about at a series of community conversations the week of April 11, and I’ll be giving a presentation at Parmly Billings Library at 11 a.m. on the 16th. I’m really looking forward to this.

For more information, you can call the library at 406-657-8258.

But wait! There’s more!

The Western Writers of America recently released the results of the Spur Awards voting, and I’m proud to say that Carol Buchanan’s Gold Under Ice, the first book published by my little literary house, Missouri Breaks Press, was a finalist in the long-novel category.

This honor, of course, is Carol’s alone, as everything that’s good about her book — and that’s a whole lot — is entirely the result of her own industry and talent. I’m just glad I was able to be associated with such a fine work and such a fine person.

Also worth noting is that Richard S. Wheeler also won a Spur, in the short-novel category for Snowbound. It’s his sixth. That’s a record. A wonderful honor for a true gentleman.

And finally …

The aforementioned Missouri Breaks Press will be releasing its second book-length work this summer, a collection of essays and stories by Ed Kemmick. It’s called The Big Sky, By and By, and it tells the stories of some ordinary/extraordinary folks who give this wonderful place flavor and light.

I’m thrilled to be working with Ed to bring this book to the marketplace. I think it’s going to find a lot of eager readers among Montanans and the many people who love this great land from afar.

More details coming soon …

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Endorsements of The Summer Son have begun to roll in from authors and critics whose work I deeply admire.

Among them:

“Lancaster has crafted a novel that offers readers the most valuable gift any work of fiction can offer: an authentic emotional experience. The Summer Son will grip you with its pathos and insight, propel you mercilessly forward with its tension and suspense, and then wow you with an ending you won’t see coming. And when the experience is over, The Summer Son will stick with you.”
Jonathan Evison, author of West of Here and All About Lulu

Jon is having the kind of career I can only dream of. His first novel, All About Lulu, won rave reviews as a funny, deeply felt coming-of-age story. His latest, West of Here, will release on Feb. 11, 2010, and is already being hailed as one of the great books of the coming year. Chuck Adams, Evison’s editor at Algonquin, has called it the best book he’s worked with in four decades of publishing. I’m lucky enough to have an advance reader copy of it, and I can tell you that the multigenerational sweep, the sense of place, the writing all are beautifully rendered.

*****

“Lancaster’s characters drill into the earth in search of natural gas, and so too do they burrow into their pasts, hunting for the pockets of explosive angst that define who they are today. A compelling dose of realism and a vicious reminder that ancient history is always close enough to kiss us.”
Joshua Mohr, author of Termite Parade and Some Things That Meant the World To Me

Josh is the kind of writer who makes me wonder if the rest of us simply don’t have sufficient imagination. Consider the premise of his latest, Termite Parade: Three narrators — a woman, Mired; her boyfriend, Derek; and his twin brother, Frank — carry us through a story that starts with Mired’s being pushed down stairs, intentionally, by Derek (who, by the way, believes he’s being eaten from the inside by termites). And his much-heralded debut, Some Things That Meant the World To Me, centered on a 30-year-old man named Rhonda who is led through his troubled past by his own inner child. Some Things, published by tiny Two Dollar Radio, was selected by O Magazine as one of its “10 Terrific Reads of 2009.”

*****

The Summer Son is a superb and authentic exploration of family ties and the delicate relationships between fathers and sons, husbands and wives, and the past and present. Lancaster writes from the heart in clear and powerful prose, exposing his characters flaws and strengths in heartbreaking detail and giving readers exactly what we want from contemporary fiction: characters we believe in from the first page, laugh and cry with throughout, and, finally, deeply understand at the end.”
Kristy Kiernan, author of Catching Genius and Between Friends

In a book world that demands that everything be classified, Kristy’s work often gets labeled as women’s fiction. While that’s certainly not a knock, it also misses half the picture. What she really writes is human fiction — beautiful, complex, redeeming, heartbreaking human fiction. All of her work — Matters of Faith, Catching Genius, Between Friends — probes relationships and choices and consequences with a deft eye and a hopeful heart. Fabulous stuff.

*****

“Craig Lancaster’s magnificent novel, The Summer Son, travels straight into the realm of broken hearts and hurt souls only to discover miraculous things at the core of each of us: grace and love. This is one of those rare novels that will live from generation to generation, offering sunlight to those who think the human race lives only in a stormcloud.”
Richard S. Wheeler, author of Snowbound and a six-time Spur Award winner

I’ve said it before, and I’ll say it again: Dick Wheeler, for my money, is our greatest living writer of Westerns, and along the way, he became simply a fine novelist, no qualifications necessary. He’s also a man after my own heart: a former newspaperman who stumbled into a literary career. (That he is married to one of the finest people on the planet, Sue Hart, essentially makes Dick the most enviable man I know.) Check out his latest, Snowbound, for a terrific example of Wheeler’s exhaustive research — the tale centers on explorer John Fremont — and his elegant prose.

*****

The Summer Son made me laugh, made me feel and even made me love a scoundrel.”
Kristen Tsetsi, author of Pretty Much True …

I love when great things happen to deserving people. Kris’ self-released debut novel, Homefront, was loved by nearly everyone who read it, and after years of shopping it to publishers, she’s found one who sees the possibilities for the book that all of us who’ve read it so clearly grasped. It will be re-emerging soon as Pretty Much True … and you pretty much should read it when it does. Check out her blog here.

*****

“Part family saga, part mystery, The Summer Son will grab hold of you and not let go.”
R.J. Keller, author of Waiting for Spring

I love when great things happen to deserving people, Part 2. R.J. originally released her debut novel through CreateSpace, priced it to move on Amazon’s Kindle platform — and reaped the rewards of her own good work and readers’ word of mouth. Waiting for Spring — women’s fiction for women who don’t live Carrie Bradshaw’s existence — has consistently been one of the best-selling novels on the Kindle, and sure enough, AmazonEncore took notice: It will re-release the book to a much wider audience next spring. A success story well-earned.

*****

“In this novel of power, psychological insight, suspense, and healing, Lancaster takes the reader on Mitch Quillen’s search with courage and emotional honesty. Moving and unforgettable!”
Carol Buchanan, Spur Award-winning author of God’s Thunderbolt and Gold Under Ice

What can I say about Carol? She’s one of my best friends among the Montana writers I’ve met, she’s a whip-smart writer and possibly even better editor (The Summer Son benefited greatly from her advice), and she wrote a self-published debut novel (God’s Thunderbolt) that won a Spur Award. She’s such a gifted writer that it was a no-brainer for me to team up with her and launch her follow-up, Gold Under Ice, as the first release of my small literary imprint, Missouri Breaks Press.

*****

“Craig Lancaster really knows how to tell a story. And in this deeply felt, keenly observed, beautifully structured novel he tells one older than Sophocles, about the tensions between fathers and sons and the secrets that shape — and threaten to destroy — their lives.”
Charles Matthews, former books editor, San Jose Mercury News

Charles and I go way back, although it would be a stretch to say that we really knew each other before the advent of Facebook. We worked together at the San Jose Mercury News several years ago, but that was back in the days when that newspaper had 400-some editorial employees (as opposed to the 120 or so it has now), and so I’m not sure we ever even had a conversation. But no matter. Charles knows his stuff, and I’m greatly pleased that he liked what he read from me. Check out Bookishness, his brilliant blog.

So there they are — eight testimonials that I hope will persuade you to give The Summer Son a try. But even better: I just gave you at least a dozen good reading recommendations. Check these authors out. You won’t be sorry.

Carol’s follow-up to the Spur Award-winning God’s Thunderbolt was just released by Missouri Breaks Press, my small (very small) literary press.

Carol was kind enough to field some questions about Gold Under Ice and the continuing adventures of Dan Stark:

Q: Your first novel, God’s Thunderbolt, was an unqualified success, winning a Spur Award and a raft of devoted readers. What did you learn from the experience of writing, publishing and marketing that book, and how did you apply those lessons to Gold Under Ice?

A: In the course of writing God’s Thunderbolt, I found my voice, that nebulous thing new writers are counseled to search for. It can’t be put on like a pair of socks because it comes from inside someplace, and I certainly can’t define it. It’s just how you write that’s different from how another author writes, like Faulkner and Hemingway. In publishing and marketing it, I learned about finding the niche market, which means to define your audience. I was taught that in 8th-grade English class. I write for Montanans, those who live here and those who don’t, and for those who are Montanan in spirit. Those who think “cowboy” is good. Former Governor Blagojevich said, “I’m not some cowboy….” And he’s right. He couldn’t qualify.

Having defined my niche market and found my voice, I just kept on. Regarding publishing, one thing changed. You asked if Gold Under Ice could be the inaugural book for Missouri Breaks Press, and I was honored. I don’t feel as if I’m writing in an empty room now.

Q: What awaits readers who dive into Gold Under Ice? What is Dan Stark up to in the second book?

Gold Under Ice is far more wide-ranging than was God’s Thunderbolt. Half the novel is set in Virginia City, and half in New York City. The tying thread is gold, Montana gold that Dan Stark brings to New York to pay the debt his father left. He doesn’t have enough gold, so he decides to repay the debt in greenbacks, the currency that the Lincoln administration printed to pay the Union Armies and buy supplies. That leads to trouble because speculation was considered disloyal, if not downright treasonous. Dan’s autocratic grandfather is beside himself about it, because he thinks paying debts with paper is dishonorable.

Q: The book, in part, explores an aspect of the Civil War years that isn’t necessarily covered in depth in history textbooks (disclaimer: I was educated in Texas public schools, which seem to be dismissing Thomas Jefferson, so what do I know?). What was the role of money in the conflict, and how does that entangle Dan Stark?

The role of money, either gold or greenbacks, isn’t well studied and it certainly doesn’t find its way into history textbooks much. When I began to research Gold I discovered a lot I didn’t know about money during the Civil War. It’s a fascinating subject, and I had to fight to keep from writing nonfiction. For the first time, the federal government printed money, the greenback, because there was not enough gold to pay for everything. Gold reserves began to run out, so at the end of December 1861, the banks closed. They refused to honor demands because they hadn’t enough gold to meet them. The first Legal Tender Act was the nation’s first declaration that paper money would be accepted in payment of debts already incurred. Congress passed two more acts, each time allowing for the printing of more paper.

Then, of course, many saw a speculative opportunity and began to trade in gold against the greenback. Fortunes were made and lost on the Gold Exchange, which was barred from the Stock Exchange because the directors thought it was treason to trade in gold. As gold rose, the greenback lost value, and the greenback was the Union’s money. Therefore, to cause the greenback to lose value was to be disloyal. That’s a conflict within Dan, who is a radical abolitionist and supporter of President Lincoln.

Q: Where can readers get a copy?

On Amazon.com, from Montana Borders stores, Hastings stores, and from independent booksellers. Also from your website and mine: CraigLancaster.net and SwanRange.com.

Q: Your intricately, lovingly written historical fiction requires a good deal of research. What were some of the challenges in writing Gold Under Ice?

The math! Luckily Dick, my husband, is a math whiz who built a spreadsheet that let me enter the amount of raw gold, the purity, the premium (the current price of gold in the Gold Room), and come up with the current value of gold and the greenback. At one point (in the 1970s) I held a NASD securities license, so I’d had some (very rusty) background. Besides, a good friend who is a financial analyst read the whole book, especially the trading scenes, and corrected some things. And Google Books, with its marvelous scanning, enabled me to located books on economics and banking written in the late 1860s and the 1870s and a couple of contemporary accounts of gold trading and what it was like in the Gold Room.

Q: I was struck by some of the universal themes in Gold Under Ice — the tension between responsibilities to family and the desire to make one’s own way in life, yearning, conflict. From your perspective as the author, what’s the overarching theme of the book?

I don’t know. Theme, I believe, comes out of story, and I truly never gave a thought to theme as I wrote either book.

Q: Start to finish, how long did it take you to write Gold Under Ice?

I wrote a truly awful first draft for NaNoWriMo in November 2007, threw 95% of it away, and let it sit while I marketed and then self-published God’s Thunderbolt: The Vigilantes of Montana. In 2008 I went back to Gold, so I guess the really intense work took 18 months – two years.

Q: Can you describe your work process? Are you an aggressive plotter and outliner, or do you let the story carry you along as you write it?

I use sticky notes on a long piece of butcher paper to plug in scene ideas and move them around. When I know what order the scenes fall in, I begin a scene outline in a Word table. I always know how the book starts, what happens, and how it’ll end before I write. Then come the intervening scenes, the ones that get us there, in a detailed scene outline. But as I write, things change. My understanding of each scene deepens, and I understand larger implications, see new aspects of characterization, let the characters direct more. I write in scenes, not chapters, and people said about God’s Thunderbolt that reading it was like watching a movie. I see the scenes and events as if I were watching a movie, and I write them down. In draft after draft after draft after….

Q: What sort of pleasure reading do you engage in?

I can’t relate to some genres (sci/fi, horror, fantasy, paranormal, zombie stuff), so my reading is mostly limited to very well written thrillers (James Lee Burke), mysteries (John Dunning, Craig Johnson), and literary novels (E. L. Doctorow, Kim Edwards), and some western fiction whose writing is outstanding (Howard Cobb). And poetry. I love Jane Kenyon, Shakespeare (of course), Billy Collins, John Donne, T. S. Eliot, and Mona Van Duyne. (I might also mention a great new Montana author named Craig Lancaster, whose 600 Hours of Edward is one of my favorites.)

Q: For an author, it’s a dance between the current book and the next book. We’ve heard about the current book. What’s next?

Gold III (working title) set in Virginia City, again with Dan Stark as the protagonist, amid the beginnings of a judicial system at odds with the Vigilantes.

Here’s what the production side of books has come to for this independent publisher:

After months of toil by Carol Buchanan on her new novel, Gold Under Ice, and weeks of toil by both of us in getting it just so for print, we’ve been celebrating its arrival as a real, honest-to-goodness book that anyone can buy.

The champagne (well, virtual champagne — she’s in Kalispell, I’m in Billings) had scarcely been consumed when the work began anew. We have e-book editions to get out there!

I’m proud to say that the work is nearly done. I uploaded the Kindle version to Amazon this morning, and it should start showing up live on the site in the next couple of days. We’re also queued up with a Smashwords version, which is available as a standalone at the site and will eventually make its way to other e-retailers and reading devices, among them Barnes & Noble’s Nook and the iPad.

I say it a lot, but it’s worth repeating: It’s a fascinating time to be involved with publishing, as an author and as a publisher. Scary and intense and all-consuming, yes, but fascinating and fun, too.

Gold Under Ice, Carol Buchanan’s follow-up to her Spur Award-winning debut, God’s Thunderbolt, is now available on Amazon.com. In a state brimming with literary talent, Carol is one of the most graceful writers we have. Her debut gave readers a fascinating piece of fiction set during Montana’s Vigilante period and a new hero in Dan Stark. Dan is back again, this time facing trouble back home in New York.

Carol announces the book’s arrival here.

From the back cover:

Money. Greenbacks vs. gold. The Lincoln administration prints greenbacks to pay the Union armies, and in the Gold Room off Wall Street traders pit the greenback against the gold Double Eagle. By January 1864, the greenback loses nearly half its value. An angry President Lincoln wishes gold traders – traitors all – were “shot in the head.”

Far to the west, in Alder Gulch, Montana Territory, millions in gold lie under the ice of Alder Creek. Gold-seekers pray for spring. When the ice breaks, Daniel Stark rescues a man hurled into the frigid water, only to learn that his autocratic grandfather sent the man to bring him back with gold to pay his family’s debt.

But Dan does not have enough gold to rescue the family from their financial burden. If he joins the gold traders, he could make enough to pay the debt and secure his family’s future. Or lose everything and be branded a traitor to the Union.

On a related note, I’m pleased to be able to announce that my new venture, Missouri Breaks Press, is the publisher for Gold Under Ice. Carol’s lovely book is the imprint’s first title, and I couldn’t be more proud. I launched this boutique publishing house because I wanted an outlet to work with projects and people that interest me. Carol qualifies on both counts. We both know all too well how perilous and uncertain publishing is right now, and we both know there’s never been a better time to swim through the currents of indie publishing.

Make no mistake: This is Carol’s book. I say that not to distance myself from the project but rather to ensure that I don’t take any undue credit for it. She pushed God’s Thunderbolt to its position as a regional and national success, and she’ll do the same for Gold Under Ice. I’m providing some editorial support and some cheerleading, and together we’ll see what that amounts to. I can’t think of a book I’d rather see as the initial Missouri Breaks release.

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