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This will be a clearing-the-decks post. That’s what happens when things go silent for a couple of weeks. My bad. I’d say it won’t happen again, but … well, you know.
Last week brought the excellent news that 600 Hours of Edward, a book that I wrote more than two years ago and one that continues to find new fans all the time (for which I’m very thankful), has been selected for the One Book Billings program this spring. The book will be talked about at a series of community conversations the week of April 11, and I’ll be giving a presentation at Parmly Billings Library at 11 a.m. on the 16th. I’m really looking forward to this.
For more information, you can call the library at 406-657-8258.
But wait! There’s more!
The Western Writers of America recently released the results of the Spur Awards voting, and I’m proud to say that Carol Buchanan’s Gold Under Ice, the first book published by my little literary house, Missouri Breaks Press, was a finalist in the long-novel category.
This honor, of course, is Carol’s alone, as everything that’s good about her book — and that’s a whole lot — is entirely the result of her own industry and talent. I’m just glad I was able to be associated with such a fine work and such a fine person.
And finally …
The aforementioned Missouri Breaks Press will be releasing its second book-length work this summer, a collection of essays and stories by Ed Kemmick. It’s called The Big Sky, By and By, and it tells the stories of some ordinary/extraordinary folks who give this wonderful place flavor and light.
I’m thrilled to be working with Ed to bring this book to the marketplace. I think it’s going to find a lot of eager readers among Montanans and the many people who love this great land from afar.
More details coming soon …
I love getting to know other writers, particularly those who work in a literary area other than mine. (That sounds really bad, doesn’t it? This is my area. That over there is yours. Stay out of here.) I love hearing about their work habits, the way they cultivate ideas, how they sharpen their stories. In general, I find more similarities than differences, although the differences can be stark.
Take today’s guest, Jamie DeBree. Like me, she’s an author who lives in Billings, Montana. Like me, she’s holding down a day job and pursuing her novel-writing dreams in her off-hours. Like me, she doesn’t sleep (very much). Unlike me, she writes sexually charged romances. In, uh, doing research for this interview, I read her novel Tempest and was impressed with how well she developed her characters (and, yes, she certainly brought the heat, too). Romance is not my preferred area of reading, but I enjoyed Jamie’s book very much. More than that, I had to find out what led her down this particular path, as a romance writer and the proprietor of her own publishing house, Brazen Snake Books.
Here’s her story:
What lit your fuse for writing? Do you recall an a-ha moment where you thought, “OK, this is what I want to do”?
I think I’ve always “felt” like a writer — it was back in high school that I first voiced my desire to write books. To which my parents very logically responded, “You’re gonna need a real job first.” Turns out, they were right. It was only a few years ago that I really decided to get serious and try to make some money with my writing, but I don’t remember any specific moment, because writing has always just been there, a constant in my life, even during the years I wasn’t writing anything.
You came into the business as a committed independent, even though your genre is certainly well-covered by traditional publishing houses. What was behind that decision?
When I was young and dreaming of being a writer, I always thought I’d self-publish my writing. I’ve always tended toward the control-freak side of things, and I’m kind of an outsider anyways, so doing it myself fits my personality. When I finally decided to actively work at publishing my books and joined the online writing community, I was hit on all sides by the “self-publishing is bad and self-publishers suck” stigma, and bought into it for a while. But the whole process of trying to write for a specific line, the hoops (that had nothing to do with writing) required to even get a manuscript on an editor’s desk and the fact that as a new author I wouldn’t be making much money anyways was just so overwhelmingly against the idea of building a successful career that I nearly quit writing altogether. It wasn’t what I wanted from my writing experience. That’s when I hit that question I think all writers eventually have to come to terms with: “Why am I doing this?”
I decided that the reason I wanted to write was simply to entertain people. And to do that, I didn’t need a publishing contract with a house, I just needed a venue. I started posting a draft on my blog, I got some nice comments, and at the same time, self-publishing was starting to be a more acceptable option (the stigma is still there, but it’s far easier to deal with these days). Excited that finally I could do it myself, I jumped into the self-pub pool and haven’t looked back since I made my first sale.
You and I have talked a fair amount about characterization. Why is it so important to your sexually charged stories?
Characters are the heart of any story, in my opinion. My characters drive the plot, and what they’re thinking and feeling at any given time is what keeps that all-important sexual tension high, and determines what happens next both in the story and in their growing relationship. To that end, I do my best to get deep into my character’s heads and pay attention to what they would logically be thinking and feeling from moment to moment and write from that, even if it doesn’t fit the plot I originally envisioned. I think this makes the entire relationship more realistic than if I try to make it fit a certain “box,” though it does get pretty messy sometimes as far as fears, insecurities and stubbornness go. Unlike real life though, the relationships in my books always work out in the end — usually without any extra help from me.
What’s your personal aesthetic for a sex scene?
Hot, but not crass, if that makes any sense. A sex scene without emotion is porn, and that’s not what I write. I like frank language and I want to feel what each character is feeling throughout. I think a lot can be learned about characters in the heat of a very sexually charged moment. I try to invoke a physical response in the reader, to bring them right into the story with the characters so they’re just as invested in the relationship. Emotions are often invoked or magnified by the senses — touch, taste, sight, smell, sound. I try to use all of those to make the scene very real, and show the reader the emotions that my characters are going through at that point in time. If it makes things more complicated when it’s over, all the better.
You and Carol Buchanan — two writers who are working entirely different parts of the literary universe — have teamed up to write a series of blog posts on sex scenes. How in the world did that partnership come about?
Actually, it was Carol’s idea. She e-mailed me last fall, having read one of the draft sex scenes on my blog, and asked if I’d like to collaborate with her on a comparison in styles for writing sex scenes. Naturally I couldn’t turn down an offer like that. It’s been a lot of fun to study the angle from our very different genres and perspectives. I think we’re both learning a lot from each other, and clarifying our own processes as we explore the subject in blog articles.
You’re a transparent writer, in that you post weekly your progress on a story. Why do that, as opposed to rolling it out when you’re done?
Motivation, mostly. I’m a writer who needs an audience — while many writers claim to write for themselves first, I write predominantly to entertain others. While I do occasionally work on drafts that aren’t serialized, I’m happiest when I know someone’s waiting for the next installment.
There are a lot of other benefits I get from it — my drafts, while still rough, have improved immensely because I’m very conscious that people read them as I go. I tend to plot on the fly (i.e., I don’t really outline), and serializing forces me to maintain a linear plot and pay very close attention to continuity while I’m drafting — which means less work for me on the revision side. I also have to re-orient readers quickly at the beginning of each scene, and entice them to come back for the next one at the end, so it’s helped me learn how to keep readers turning the page (or so I’ve been told, anyways). It’s basically my practice arena, and I invite readers to watch just exactly how a story is “born” in my world. I see no reason for it to be some mystical, secret thing we writers hide away. Nearly all creative endeavors are messy in the beginning, and I don’t think we should be afraid or ashamed of that.
Like many (most?) other writers, you have a day job. How do you balance your time among that, the writing, your husband and home life, etc.?
I like quiet when I’m writing, which means my normal writing hours are between around 11 pm and 1 am (2 am if the scene of the day is particularly frustrating), after the dogs and my husband are settled for the night. I can’t edit that late (the analytical portion of my brain tends to fade out earlier), so a lot of revisions/editing take place while I’m watching TV in the evenings and on the weekends. I’ve been known to load my draft on my Kindle and head to the break room at 10 am and 3 pm for 15-minute editing sessions at the day job too. Writing is basically a second job for me — in the evenings after dinner I’m writing blog posts, updating my web sites, socializing on various online platforms (ie, marketing), and watching TV with my husband. Luckily, I’m a very good multitasker and also very disciplined (I love routines and keep fairly strict schedules), so somehow it all gets done. Although I’ve been trying to remember to order more business cards for three weeks now … and please don’t stop by without calling, so I have time to vacuum and pick up the dog toys.
What do you read for pleasure?
Whatever I can get my hands on, really — I generally have 2-3 books going at any given time. My parents always encouraged reading widely across genres for a well-rounded experience when I was young and I’ve kept that habit. So while romance (all sub-genres), erotica and thrillers are the genres I read in most, I also read mysteries, sci-fi, fantasy, urban fantasy, westerns and literary novels as they come my way. The only genre I really don’t read much of is young adult — I have nothing against the genre, it just doesn’t hold my interest (and didn’t really even when I was young).
What’s next from you?
I’m nearly finished with the serial draft of The Biker’s Wench, the first book in my Fantasy Ranch series scheduled for release this coming July. Monica Burns is running from a forced marriage and ends up at a ranch outside Reno, Nevada, that specializes in making adult fantasies come true. Her father finds her there, but before she can run again she gets an unexpected offer of help from Harley Majors, the owner of the ranch. She reluctantly accepts, but her father turns the tables on them and dangerous chaos ensues as they work to outwit her father and win her freedom once and for all.
I’m also working on revisions to Her Private Chef, a novel I wrote a couple years ago about a split-personality food critic and a popular TV chef with the power to ruin her career. I plan to finish that up and release it sometime next fall. It’s a fun story, and I’m excited to finally be working on it again.
Jamie DeBree’s website: http://jamiedebree.com
Purchase links for Jamie’s books: http://brazensnakebooks.com
Jamie’s blog: http://varietypages.jamiedebree.com
Jamie’s page on Facebook: http://www.facebook.com/NovelistJamieDeBree
Jamie’s Twitter feed: http://www.twitter.com/JamieDeBree
A last-minute change to the schedule:
Tomorrow (Friday), I’ll be taking part in a Q&A at author Carol Buchanan’s blog. Carol is the fabulously talented author of God’s Thunderbolt and Gold Under Ice, two books you should definitely read. And, as it turns out, she slings some pretty good questions, too.
Here’s where I’ve been so far on my virtual book tour, and where I’m going in the coming week:
Monday, January 24: A Word Please
Tuesday, January 25: 5:01 blog
Wednesday, January 26: The Book Inn
Thursday, January 27: Straight from Hel
Monday, January 31: Cherie Newman, host of the excellent “The Write Question” on Montana Public Radio, will give me the keys to her blog of the same name and let me hold forth on what it means to write in and of Montana.
Tuesday, February 1: My friend Jim Thomsen will host a Q&A with me in the form of a Facebook note. The interview will be simulcast on two authors’ blogs: R.J. Keller’s Ingenious Title to Appear Here Later and Kristen Tsetsi’s From a Little Office in a Little House.
Wednesday, February 2: One Book at a Time blogger Page Eberhardt will host me for an essay on where stories come from, as if I have any idea.
Thursday, February 3: The fellas over at 3 Guys, One Book will let me pitch in with an entry in their ongoing series “When We Fell in Love.”
Friday, February 4: I will wrap up at Coffee, Books and Laundry, hosted by Melissa Vasquez, where I’ll write about balancing readers’ expectations with following the muse wherever she leads.
There will be giveaways of signed books at every stop, so please follow along and throw in an entry.
Endorsements of The Summer Son have begun to roll in from authors and critics whose work I deeply admire.
“Lancaster has crafted a novel that offers readers the most valuable gift any work of fiction can offer: an authentic emotional experience. The Summer Son will grip you with its pathos and insight, propel you mercilessly forward with its tension and suspense, and then wow you with an ending you won’t see coming. And when the experience is over, The Summer Son will stick with you.”
Jonathan Evison, author of West of Here and All About Lulu
Jon is having the kind of career I can only dream of. His first novel, All About Lulu, won rave reviews as a funny, deeply felt coming-of-age story. His latest, West of Here, will release on Feb. 11, 2010, and is already being hailed as one of the great books of the coming year. Chuck Adams, Evison’s editor at Algonquin, has called it the best book he’s worked with in four decades of publishing. I’m lucky enough to have an advance reader copy of it, and I can tell you that the multigenerational sweep, the sense of place, the writing all are beautifully rendered.
“Lancaster’s characters drill into the earth in search of natural gas, and so too do they burrow into their pasts, hunting for the pockets of explosive angst that define who they are today. A compelling dose of realism and a vicious reminder that ancient history is always close enough to kiss us.”
Joshua Mohr, author of Termite Parade and Some Things That Meant the World To Me
Josh is the kind of writer who makes me wonder if the rest of us simply don’t have sufficient imagination. Consider the premise of his latest, Termite Parade: Three narrators — a woman, Mired; her boyfriend, Derek; and his twin brother, Frank — carry us through a story that starts with Mired’s being pushed down stairs, intentionally, by Derek (who, by the way, believes he’s being eaten from the inside by termites). And his much-heralded debut, Some Things That Meant the World To Me, centered on a 30-year-old man named Rhonda who is led through his troubled past by his own inner child. Some Things, published by tiny Two Dollar Radio, was selected by O Magazine as one of its “10 Terrific Reads of 2009.”
“The Summer Son is a superb and authentic exploration of family ties and the delicate relationships between fathers and sons, husbands and wives, and the past and present. Lancaster writes from the heart in clear and powerful prose, exposing his characters flaws and strengths in heartbreaking detail and giving readers exactly what we want from contemporary fiction: characters we believe in from the first page, laugh and cry with throughout, and, finally, deeply understand at the end.”
Kristy Kiernan, author of Catching Genius and Between Friends
In a book world that demands that everything be classified, Kristy’s work often gets labeled as women’s fiction. While that’s certainly not a knock, it also misses half the picture. What she really writes is human fiction — beautiful, complex, redeeming, heartbreaking human fiction. All of her work — Matters of Faith, Catching Genius, Between Friends — probes relationships and choices and consequences with a deft eye and a hopeful heart. Fabulous stuff.
“Craig Lancaster’s magnificent novel, The Summer Son, travels straight into the realm of broken hearts and hurt souls only to discover miraculous things at the core of each of us: grace and love. This is one of those rare novels that will live from generation to generation, offering sunlight to those who think the human race lives only in a stormcloud.”
Richard S. Wheeler, author of Snowbound and a six-time Spur Award winner
I’ve said it before, and I’ll say it again: Dick Wheeler, for my money, is our greatest living writer of Westerns, and along the way, he became simply a fine novelist, no qualifications necessary. He’s also a man after my own heart: a former newspaperman who stumbled into a literary career. (That he is married to one of the finest people on the planet, Sue Hart, essentially makes Dick the most enviable man I know.) Check out his latest, Snowbound, for a terrific example of Wheeler’s exhaustive research — the tale centers on explorer John Fremont — and his elegant prose.
“The Summer Son made me laugh, made me feel and even made me love a scoundrel.”
Kristen Tsetsi, author of Pretty Much True …
I love when great things happen to deserving people. Kris’ self-released debut novel, Homefront, was loved by nearly everyone who read it, and after years of shopping it to publishers, she’s found one who sees the possibilities for the book that all of us who’ve read it so clearly grasped. It will be re-emerging soon as Pretty Much True … and you pretty much should read it when it does. Check out her blog here.
“Part family saga, part mystery, The Summer Son will grab hold of you and not let go.”
R.J. Keller, author of Waiting for Spring
I love when great things happen to deserving people, Part 2. R.J. originally released her debut novel through CreateSpace, priced it to move on Amazon’s Kindle platform — and reaped the rewards of her own good work and readers’ word of mouth. Waiting for Spring — women’s fiction for women who don’t live Carrie Bradshaw’s existence — has consistently been one of the best-selling novels on the Kindle, and sure enough, AmazonEncore took notice: It will re-release the book to a much wider audience next spring. A success story well-earned.
“In this novel of power, psychological insight, suspense, and healing, Lancaster takes the reader on Mitch Quillen’s search with courage and emotional honesty. Moving and unforgettable!”
Carol Buchanan, Spur Award-winning author of God’s Thunderbolt and Gold Under Ice
What can I say about Carol? She’s one of my best friends among the Montana writers I’ve met, she’s a whip-smart writer and possibly even better editor (The Summer Son benefited greatly from her advice), and she wrote a self-published debut novel (God’s Thunderbolt) that won a Spur Award. She’s such a gifted writer that it was a no-brainer for me to team up with her and launch her follow-up, Gold Under Ice, as the first release of my small literary imprint, Missouri Breaks Press.
“Craig Lancaster really knows how to tell a story. And in this deeply felt, keenly observed, beautifully structured novel he tells one older than Sophocles, about the tensions between fathers and sons and the secrets that shape — and threaten to destroy — their lives.”
Charles Matthews, former books editor, San Jose Mercury News
Charles and I go way back, although it would be a stretch to say that we really knew each other before the advent of Facebook. We worked together at the San Jose Mercury News several years ago, but that was back in the days when that newspaper had 400-some editorial employees (as opposed to the 120 or so it has now), and so I’m not sure we ever even had a conversation. But no matter. Charles knows his stuff, and I’m greatly pleased that he liked what he read from me. Check out Bookishness, his brilliant blog.
So there they are — eight testimonials that I hope will persuade you to give The Summer Son a try. But even better: I just gave you at least a dozen good reading recommendations. Check these authors out. You won’t be sorry.
Carol was kind enough to field some questions about Gold Under Ice and the continuing adventures of Dan Stark:
Q: Your first novel, God’s Thunderbolt, was an unqualified success, winning a Spur Award and a raft of devoted readers. What did you learn from the experience of writing, publishing and marketing that book, and how did you apply those lessons to Gold Under Ice?
A: In the course of writing God’s Thunderbolt, I found my voice, that nebulous thing new writers are counseled to search for. It can’t be put on like a pair of socks because it comes from inside someplace, and I certainly can’t define it. It’s just how you write that’s different from how another author writes, like Faulkner and Hemingway. In publishing and marketing it, I learned about finding the niche market, which means to define your audience. I was taught that in 8th-grade English class. I write for Montanans, those who live here and those who don’t, and for those who are Montanan in spirit. Those who think “cowboy” is good. Former Governor Blagojevich said, “I’m not some cowboy….” And he’s right. He couldn’t qualify.
Having defined my niche market and found my voice, I just kept on. Regarding publishing, one thing changed. You asked if Gold Under Ice could be the inaugural book for Missouri Breaks Press, and I was honored. I don’t feel as if I’m writing in an empty room now.
Q: What awaits readers who dive into Gold Under Ice? What is Dan Stark up to in the second book?
Gold Under Ice is far more wide-ranging than was God’s Thunderbolt. Half the novel is set in Virginia City, and half in New York City. The tying thread is gold, Montana gold that Dan Stark brings to New York to pay the debt his father left. He doesn’t have enough gold, so he decides to repay the debt in greenbacks, the currency that the Lincoln administration printed to pay the Union Armies and buy supplies. That leads to trouble because speculation was considered disloyal, if not downright treasonous. Dan’s autocratic grandfather is beside himself about it, because he thinks paying debts with paper is dishonorable.
Q: The book, in part, explores an aspect of the Civil War years that isn’t necessarily covered in depth in history textbooks (disclaimer: I was educated in Texas public schools, which seem to be dismissing Thomas Jefferson, so what do I know?). What was the role of money in the conflict, and how does that entangle Dan Stark?
The role of money, either gold or greenbacks, isn’t well studied and it certainly doesn’t find its way into history textbooks much. When I began to research Gold I discovered a lot I didn’t know about money during the Civil War. It’s a fascinating subject, and I had to fight to keep from writing nonfiction. For the first time, the federal government printed money, the greenback, because there was not enough gold to pay for everything. Gold reserves began to run out, so at the end of December 1861, the banks closed. They refused to honor demands because they hadn’t enough gold to meet them. The first Legal Tender Act was the nation’s first declaration that paper money would be accepted in payment of debts already incurred. Congress passed two more acts, each time allowing for the printing of more paper.
Then, of course, many saw a speculative opportunity and began to trade in gold against the greenback. Fortunes were made and lost on the Gold Exchange, which was barred from the Stock Exchange because the directors thought it was treason to trade in gold. As gold rose, the greenback lost value, and the greenback was the Union’s money. Therefore, to cause the greenback to lose value was to be disloyal. That’s a conflict within Dan, who is a radical abolitionist and supporter of President Lincoln.
Q: Where can readers get a copy?
Q: Your intricately, lovingly written historical fiction requires a good deal of research. What were some of the challenges in writing Gold Under Ice?
The math! Luckily Dick, my husband, is a math whiz who built a spreadsheet that let me enter the amount of raw gold, the purity, the premium (the current price of gold in the Gold Room), and come up with the current value of gold and the greenback. At one point (in the 1970s) I held a NASD securities license, so I’d had some (very rusty) background. Besides, a good friend who is a financial analyst read the whole book, especially the trading scenes, and corrected some things. And Google Books, with its marvelous scanning, enabled me to located books on economics and banking written in the late 1860s and the 1870s and a couple of contemporary accounts of gold trading and what it was like in the Gold Room.
Q: I was struck by some of the universal themes in Gold Under Ice — the tension between responsibilities to family and the desire to make one’s own way in life, yearning, conflict. From your perspective as the author, what’s the overarching theme of the book?
I don’t know. Theme, I believe, comes out of story, and I truly never gave a thought to theme as I wrote either book.
Q: Start to finish, how long did it take you to write Gold Under Ice?
I wrote a truly awful first draft for NaNoWriMo in November 2007, threw 95% of it away, and let it sit while I marketed and then self-published God’s Thunderbolt: The Vigilantes of Montana. In 2008 I went back to Gold, so I guess the really intense work took 18 months – two years.
Q: Can you describe your work process? Are you an aggressive plotter and outliner, or do you let the story carry you along as you write it?
I use sticky notes on a long piece of butcher paper to plug in scene ideas and move them around. When I know what order the scenes fall in, I begin a scene outline in a Word table. I always know how the book starts, what happens, and how it’ll end before I write. Then come the intervening scenes, the ones that get us there, in a detailed scene outline. But as I write, things change. My understanding of each scene deepens, and I understand larger implications, see new aspects of characterization, let the characters direct more. I write in scenes, not chapters, and people said about God’s Thunderbolt that reading it was like watching a movie. I see the scenes and events as if I were watching a movie, and I write them down. In draft after draft after draft after….
Q: What sort of pleasure reading do you engage in?
I can’t relate to some genres (sci/fi, horror, fantasy, paranormal, zombie stuff), so my reading is mostly limited to very well written thrillers (James Lee Burke), mysteries (John Dunning, Craig Johnson), and literary novels (E. L. Doctorow, Kim Edwards), and some western fiction whose writing is outstanding (Howard Cobb). And poetry. I love Jane Kenyon, Shakespeare (of course), Billy Collins, John Donne, T. S. Eliot, and Mona Van Duyne. (I might also mention a great new Montana author named Craig Lancaster, whose 600 Hours of Edward is one of my favorites.)
Q: For an author, it’s a dance between the current book and the next book. We’ve heard about the current book. What’s next?
Gold III (working title) set in Virginia City, again with Dan Stark as the protagonist, amid the beginnings of a judicial system at odds with the Vigilantes.
Here’s what the production side of books has come to for this independent publisher:
After months of toil by Carol Buchanan on her new novel, Gold Under Ice, and weeks of toil by both of us in getting it just so for print, we’ve been celebrating its arrival as a real, honest-to-goodness book that anyone can buy.
The champagne (well, virtual champagne — she’s in Kalispell, I’m in Billings) had scarcely been consumed when the work began anew. We have e-book editions to get out there!
I’m proud to say that the work is nearly done. I uploaded the Kindle version to Amazon this morning, and it should start showing up live on the site in the next couple of days. We’re also queued up with a Smashwords version, which is available as a standalone at the site and will eventually make its way to other e-retailers and reading devices, among them Barnes & Noble’s Nook and the iPad.
I say it a lot, but it’s worth repeating: It’s a fascinating time to be involved with publishing, as an author and as a publisher. Scary and intense and all-consuming, yes, but fascinating and fun, too.
On the blogroll at left is a new entry: A Curmudgeon’s Diary, by Montana author Richard S. Wheeler.
One would not have to expend much effort to make a case for Wheeler’s being our greatest living writer of Westerns. In a long career, he’s written around seventy novels, including the popular Skye’s West/Barnaby Skye series. He’s won a boatload of Spur Awards, which are handed out by the Western Writers of America. And I daresay he’s married to one of the finest people I’ve ever had the pleasure to know, Montana State University Billings professor Sue Hart (herself an accomplished writer and the keeper of a vast repository of Western literary knowledge). While that last bit doesn’t necessarily make him a more celebrated writer, it certainly speaks well of his good sense, which is just as important.
You could lose the better part of a day reading through the archives of Wheeler’s blog, but it’s his most recent post, on a long-ago rant, that I want to highlight here. He relays a story from 20 years ago in which he inveighed against Bill Kittredge’s assertion that the genre Western should fade away. Wheeler has had a change of heart.
In truth, I eventually came around to Professor Kittredge’s views about genre western fiction, and think that the world would be better off if it simply withered away. It had its day, and maybe even formed American manhood, but now it is a feeble part of contemporary publishing, and bought mostly by geezers and buck privates. It is afflicted with terminal sameness, each story derived from a hundred previous ones. The publishers offer no wiggle room to authors, who are doomed to write yet another tired story about cowboys, or Texas rangers, or outlaws, or the Indian wars. Worse, as weary westerns affect readers less and less, body counts rise, violence rises, and what was once a knightly literature sinks into irrelevance. The frontier is gone. Professor Kittredge was right: there is a golden regional literature of the West blooming, and worthy of our esteem, and the old horse opera only gets in the way.
I haven’t read a lot of genre Westerns (but, strangely, I love Western movies). Though my taste in literature definitely bends West, it’s in the direction of Steinbeck and Doig and Stegner and Proulx and Watson and countless others. The writing I admire most goes deep inside its settings and characters and explores the human condition (bad news: We’re all terminally human). In that sense and under those circumstances, I would contend that there is territory yet to explore. Of course, as Wheeler rightly points out, such writing veers outside the rigid strictures of genre Westerns and into a more literary realm. (A good example of this is my friend Carol Buchanan, whose Gold Under Ice was just released.)
One more Wheeler post to highlight. This one hits a little closer to home.
The novel he’s writing about here is my forthcoming The Summer Son. He ended up writing a lovely blurb, for which I am unyieldingly grateful. But I was most interested in his thoughts about the study guide I included at the end of the book. (This ends up being a moot point, as Wheeler read the version of the book that was going to be released by my Missouri Breaks Press; AmazonEncore ended up moving in and acquiring the title.)
The reason I included a book club guide is that a fair number of book clubs here in Billings have taken on 600 Hours of Edward, and many of them have inquired about the existence of such a guide. I figured that including one with the book, along with a banner on the cover highlighting it, might prove a worthwhile marketing device. As I conceded to Wheeler in an e-mail, I’m probably the least-qualified person in the world to write a study guide about my own work. Part of the magic of the author-reader relationship lies in giving the reader the latitude and the responsibility for forming his/her own opinion of what the work means. I’m not entirely comfortable with guiding that conversation. When I chat with members of a book club, I’m apt to ask them as many questions as they ask me.
Finally, a last note about The Summer Son, this one a blatant teaser: I know what the cover will look like. Soon, you will, too. But not today.
Gold Under Ice, Carol Buchanan’s follow-up to her Spur Award-winning debut, God’s Thunderbolt, is now available on Amazon.com. In a state brimming with literary talent, Carol is one of the most graceful writers we have. Her debut gave readers a fascinating piece of fiction set during Montana’s Vigilante period and a new hero in Dan Stark. Dan is back again, this time facing trouble back home in New York.
Carol announces the book’s arrival here.
From the back cover:
Money. Greenbacks vs. gold. The Lincoln administration prints greenbacks to pay the Union armies, and in the Gold Room off Wall Street traders pit the greenback against the gold Double Eagle. By January 1864, the greenback loses nearly half its value. An angry President Lincoln wishes gold traders – traitors all – were “shot in the head.”
Far to the west, in Alder Gulch, Montana Territory, millions in gold lie under the ice of Alder Creek. Gold-seekers pray for spring. When the ice breaks, Daniel Stark rescues a man hurled into the frigid water, only to learn that his autocratic grandfather sent the man to bring him back with gold to pay his family’s debt.
But Dan does not have enough gold to rescue the family from their financial burden. If he joins the gold traders, he could make enough to pay the debt and secure his family’s future. Or lose everything and be branded a traitor to the Union.
On a related note, I’m pleased to be able to announce that my new venture, Missouri Breaks Press, is the publisher for Gold Under Ice. Carol’s lovely book is the imprint’s first title, and I couldn’t be more proud. I launched this boutique publishing house because I wanted an outlet to work with projects and people that interest me. Carol qualifies on both counts. We both know all too well how perilous and uncertain publishing is right now, and we both know there’s never been a better time to swim through the currents of indie publishing.
Make no mistake: This is Carol’s book. I say that not to distance myself from the project but rather to ensure that I don’t take any undue credit for it. She pushed God’s Thunderbolt to its position as a regional and national success, and she’ll do the same for Gold Under Ice. I’m providing some editorial support and some cheerleading, and together we’ll see what that amounts to. I can’t think of a book I’d rather see as the initial Missouri Breaks release.
My blog book tour wraps up today at novelist Carol Buchanan’s site. There, I tell about how I built the protagonist of my novel, Edward Stanton.
Finishing up with Carol, who wrote the beautiful God’s Thunderbolt, is fitting. She’s become one of the best friends I’ve met in this publishing journey, a fellow Montanan and a monumental talent. I give her my thanks for hosting me.
If you cruise over and drop in a comment, you’ll be in the mix for a signed copy of 600 Hours of Edward. Don’t miss out!
If you’d like to check out my previous blog stops, just click the links below:
Day 3: Landing a publishing deal.
Day 5: Q&A with Jim Thomsen.
It was all great fun, and I met some wonderful people. I’m looking forward to a fresh round of experiences with Book No. 2. Thanks for riding along.
My blog tour chugs into its fifth day with a stop at Jim Thomsen’s blog: http://jimthomsen1.wordpress.com/2009/11/03/guest-blogger-craig-lancaster/
The man is nothing if not thorough. He asked 21 questions — literally, not figuratively — and was firing them at me right up until about 2 a.m. today. He’s giving away a signed copy of my novel, 600 Hours of Edward, to one lucky commenter, so get in there and mix it up with us.
There’s also a shorter interview up at Working Writers. My thanks to Cherie Burbach for inviting me to do that.
Two more blog stops loom after today. We’ll be giving away a signed book at each, so please stick around:
Wednesday: Cowgirl Dreams author Heidi Thomas will host a guest post from me on using the West as a setting.
Thursday: Carol Buchanan, a Spur Award winner for God’s Thunderbolt: The Vigilantes of Montana, will let me sit down and get into the nuts and bolts of how I wrote from Edward’s point of view.