Almost two years ago, fueled by little more than a faint story idea and my own volatile cocktail of mania, I started writing what would become 600 Hours of Edward. I finished the first draft in 25 days.
I know what you’re doing: You’re looking at the calendar and saying, “That SOB did National Novel Writing Month!”
Indeed, I did. It wasn’t the first time. But it was the first time I completed the challenge of writing at least 50,000 words in 30 days. (I actually wrote 79,175 words in 25 days. Actually, it was 17 days, because I took eight days off. But, really, who’s counting?)
In the hindsight of two years, I can now say with confidence that I couldn’t have written Edward in any other way. And now that I have a second, more conventionally written novel to my credit, the forthcoming The Summer Son, I can also say with confidence that I’ll never do NaNoWriMo again, at least not in the way that it’s intended (i.e., as a spawning ground for a fresh work of fiction).
To find out why, as well as some tips for tackling the NaNoWriMo challenge if you’re so inclined, check out my guest gig at Jim Thomsen’s Reading Kitsap blog.
Here’s the kicker:
Having written one novel under the auspices of NaNoWriMo and one in a more traditional way (three-month first draft, followed by nine months of revisions), I have to tell you that I’ll probably never again do the NaNoWriMo thing. Word count is a pretty flimsy construct in the first place; when someone asks me how long a story should be, my answer is: As many words as it needs, and not one more. To then squeeze those 50,000 words out under intense pressure no doubt leads to some irretrievably poor writing. If it’s the challenge you want, that’s one thing. But if you’re aiming for a writing career, you should ask yourself some hard questions about what you want from a month’s work. It’s entirely possible that NaNoWriMo won’t offer what you’re seeking.